Jup-8 V’s iconic resonant low pass filter.Four new FX including Pitch Shift Delay and Flanger BL-20.64 new wavetables for metallic, aggressive timbres.Third Utility engine to add depth and color to any sound.Harmonic oscillator for expressive and beautiful additive synthesis.Pigments has evolved to be bigger, bolder, and more versatile than ever, blurring the lines between timbres and pushing sound design into vivid new territory. With colorful sound engines, effortless modulation, professional utilities, and studio-grade FX, explore an infinite spectrum of sound. Digital Adapters & Miscellaneous CablesĪrturia Pigments 3 is a state-of-the-art software instrument that gives you the power of every shade of synthesis.I won’t put a link to examples because the demos will have reaching for a sick bag.įinally, if you are into pads, pointed me in the direction of Luftrum’s Lunaris. The main sounds designer is Kevin Schroeder, who has some pretty amazing credits Kevin Schroeder - IMDb. PS: Given the sort of trashy old fashioned electronic / trance stuff I tend to, my goto is DUNE 3. Acoustic guitar sounds have now been centred on the ‘Nylon Sky’ add on to Omnisphere. So, I’d tick your box for Pigments, but maybe put 'best in class '.Īlso, of course, Spectrasonics essentially focussed all keyboard sounds in Keyscape, and bass sounds in Trilian. You can almost do a track from some Pigments patches. Pigments is much more ‘edgy’ (‘modern’?), whereas if you look at the user list for Omnisphere is largely about film scoring. I think Pigments is a great synth to have - I love it -, and not all that much overlaps the massive range of sound in Omnisphere.

I don’t think there is a ‘best’, as most synths try and target at a niche. Omnisphre, so I’m bad at saying the best.

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